Explain the “two-point perspective” here.
So you taken by that actual lines! I didn’t get to that. But you are so right!
I was immediately drawn, (pardon the metaphor), to the blue structure on the right, that demands attention almost as much as the tragic, apparently dispossesed and overloaded woman!
That extra odd blue structure, further emphasized by the green hedge, is so different from the beautifully sienna tones of the long b.g. complex of weathered wood planks, rusty industrial doors and the long open rail car. It is almost part of a different scene.
This included unexpected dissonant element on right, adds to the sense of disorder and is an interesting new idea for me. It could have been excluded just as easily, but James has it there and to me, that strengthens the challenge of the picture.
Asher