This looks like a futuristic-type of mall design, something perhaps from the 1970's when films like
Logan's Run were popular.
Honestly, the posters the title reference got completely lost, too marginalized and overpowered to be main subjects. (I found myself wondering how the light gratings became broken and how long they've been in disrepair.) Form trumps almost everything else in any photograph. Colr comes next. Here you've presented powerful forms, made all the more visually overpowering because they're rhythmic forms. But as if to add hot sauce to an already spiced dish you've bisected the frame with this geometry.
In my opinion, to convey what your title suggests of your intentions I would suggest leaving the light spheres out of the image entirely. They're far too powerful and would overwhelm almost any image in that space. Frame the image facing the left windows with the posters offset. If you want to suggest emptiness, show an empty corridor with these faces looking sad and lonely, as their expressions might suggest anyway.