Jasmine on a lot of boxes.

[Per Ellström]

 

[Asher Kelman]

Well done, Per!

There's a sense of isolation and vulnerability being amongst anonymous cartons, no marks, no labels. The lighting is so limited and restrained to an extent bordering on questionable - but that may be part of the dramatic draw of the image.

Gone is sexuality, and almost all sense of emotive signaling, so characteristic of advanced life forms. The apposition of hand and foot in gesture on each side of her is further separate us from any library of reality. She is reduced to a fundamental concatenation of shapes, tightly packaged as if to fit into one of the boxes around her.

I want more views of the figure with the boxes, not just one isolated glimpse. I bet you took more!

Asher

 

[Per Ellström]

Thank you very much. Here are some more images from that session ...

 

[Jerome Marot]

This reminds me a bit of Michael Ezra.

 

[Doug Kerr]

Hi, Per,

Lovely work.

And incredibly powerful hairspray.

Best regards,

Doug

 

[Doug Kerr]

Hi, Per,

I note that some of your pix carry the slug "Pelle Pianos", while often your messages are "signed" "-Pelle Piano"

The difference seems a bit curious.

Best regards,

Doug

 

[Per Ellström]

Yes it should probably read Pelle Piano's to be more clear.

Hi, Per,

I note that some of your pix carry the slug "Pelle Pianos", while often your messages are "signed" "-Pelle Piano"

The difference seems a bit curious.

Best regards,

Doug