Doug Kerr
Well-known member
Noted photographic exposure and exposure metering authority J. F. Dunn, in a 1948 paper before a major British cinematography society, begins by laying out some of the objectives of exposure metering and "proper" exposure control. He points out some of the practical difficulties in playing this game.
He then introduces the concept of "duplex metering", which he says can deal conveniently with those difficulties.
In any case, his context was not the specialized context of Norwood's original work (the use of the key-fill lighting technique) but rather a more general photographic context. His examples are largely drawn from the situation of photography by "daylight". The technique as he describes it uses an exposure meter with a flat (cosine directivity) receptor, which I note ideally is responsive to the true illuminance of the overall illumination on the plane of the meter's receptor.
He then says that two readings should be made with this meter, located at the subject, the first with the meter's receptor facing the primary source of ;light (the sun, in the "daylight" case) and the second with the receptor facing the camera. The geometric average of these two readings is reckoned and set into the meter's calculator as if it were the meter reading. The photographic exposure recommendation then given by the calculator would be used on the camera for the shot.
Except that, very likely, says Dunn, one would have to use one stop less photographic exposure to get the proper exposure result.
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But then, in his later book, Exposure Manual, Dunn tells us that an even handier way to determine the proper photographic exposure for a scene was the use of a "Norwood system" exposure meter, with a hemispherical light collector (or equivalent). This is used to make a single measurement (with the dome of the meter facing the camera, and you are good to go.
Dunn then tells that in a series of experiments, the photographic exposure recommended with the "Norwood system" meter was within 1/3 stop of that given with the duplex metering technique. (He does not mention whether the duplex metering used a one stop "bump" of not.)
Very interesting.
Best regards,
Doug
He then introduces the concept of "duplex metering", which he says can deal conveniently with those difficulties.
In any case, his context was not the specialized context of Norwood's original work (the use of the key-fill lighting technique) but rather a more general photographic context. His examples are largely drawn from the situation of photography by "daylight". The technique as he describes it uses an exposure meter with a flat (cosine directivity) receptor, which I note ideally is responsive to the true illuminance of the overall illumination on the plane of the meter's receptor.
He then says that two readings should be made with this meter, located at the subject, the first with the meter's receptor facing the primary source of ;light (the sun, in the "daylight" case) and the second with the receptor facing the camera. The geometric average of these two readings is reckoned and set into the meter's calculator as if it were the meter reading. The photographic exposure recommendation then given by the calculator would be used on the camera for the shot.
Except that, very likely, says Dunn, one would have to use one stop less photographic exposure to get the proper exposure result.
******
But then, in his later book, Exposure Manual, Dunn tells us that an even handier way to determine the proper photographic exposure for a scene was the use of a "Norwood system" exposure meter, with a hemispherical light collector (or equivalent). This is used to make a single measurement (with the dome of the meter facing the camera, and you are good to go.
Dunn then tells that in a series of experiments, the photographic exposure recommended with the "Norwood system" meter was within 1/3 stop of that given with the duplex metering technique. (He does not mention whether the duplex metering used a one stop "bump" of not.)
Very interesting.
Best regards,
Doug
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