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Far from the maddening crowds...

Cem_Usakligil

Well-known member
Here is a space I found in Valencia, Spain. A space in between which the tourists crossed to get to more interesting places. I liked the light and the shadows, which was the reason why I took the picture. The picture is nothing pretentious, it just soothes my mind. I hope that it works for you too. :)



f56299.jpg

 

nicolas claris

OPF Co-founder/Administrator
Hi Cem
soothing and resourcing (repeat 20 times, fast ; ) lol
Nice image, beautiful colors. I'd like a bit more of the arches on top though…
 

Asher Kelman

OPF Owner/Editor-in-Chief
Here is a space I found in Valencia, Spain. A space in between which the tourists crossed to get to more interesting places. I liked the light and the shadows, which was the reason why I took the picture. The picture is nothing pretentious, it just soothes my mind. I hope that it works for you too. :)



f56299.jpg



Cem,


This contains so much beauty that changes as one goes from bottom to top. Nicolas helped me pay attention to the arch abobe that I could have missed.

In a way, this has 3 zones of overlapping images.

Asher
 
Here's the stanza from Thomas Gray's poem Elegy Written in a Country Churchyard (1751):

Far From the madding crowd's ignoble strife
Their sober wishes never learn'd to stray;
Along the cool sequester'd vale of life
They kept the noiseless tenor of their way.

The word "madding" means buzzing about in a frenzied manner rather than prompting insanity. But Cem's take on it is, I reckon, is better than Gray's original. Crowds can drive one nuts. And the picture of that magic space in Valencia is a perfect anodyne for madding or maddening; which ever comes first.
 

Cem_Usakligil

Well-known member
Hi Cem
soothing and resourcing (repeat 20 times, fast ; ) lol
Nice image, beautiful colors. I'd like a bit more of the arches on top though…
Your wish is my command Nicolas. But you surely do realize that you are asking for the impossible from me? There I was, standing with my back against the wall, my 24mm tilt/shift lens fully shifted upwards, no tripod but handheld, very dark so low shutter speeds, 3 exposures for the tone mapping and a room which is continuously populated with passing people. It was like juggling 5 balls at the same time. Trying to compose the picture correctly in the viewfinder so that no cropping or rotation would be needed, trying not to shake the camera, sweating in the 40degrees centigrade heat and waiting for some 15 minutes before I could get the shot I wanted. And when I finally did achieve that, you come along and ask for a bit more of the arches!!! LoL!
But of course I took another one showing the ceiling as well. Enjoy. :)



f56314.jpg

 

Cem_Usakligil

Well-known member
Cem,


This contains so much beauty that changes as one goes from bottom to top. Nicolas helped me pay attention to the arch abobe that I could have missed.

In a way, this has 3 zones of overlapping images.

Asher
Asher, as always you take note of these things. Thanks. :)
 

Cem_Usakligil

Well-known member
Here's the stanza from Thomas Gray's poem Elegy Written in a Country Churchyard (1751):

Far From the madding crowd's ignoble strife
Their sober wishes never learn'd to stray;
Along the cool sequester'd vale of life
They kept the noiseless tenor of their way.

The word "madding" means buzzing about in a frenzied manner rather than prompting insanity. But Cem's take on it is, I reckon, is better than Gray's original. Crowds can drive one nuts. And the picture of that magic space in Valencia is a perfect anodyne for madding or maddening; which ever comes first.
Very apt Maris, thanks for the comments. I have indeed used the word maddening on purpose, it is how tourist places make one feel sometimes. :)
 
Beautiful images, Cem. Each conveys a very different mood.

The first, a calmness and sereneness; a place of quiet contemplation. When I read the comment about the arch above, I also wondered if you were limited and not able to step back. You may also have lost the feeling of the calm serene by showing more. We will never know without actually seeing that photo, now, would we?

The second for me, feels of majesty. Makes me feel small and in awe of the beauty that is able to be created out of simple things such as stone and glass.

Lots of people stop and take pictures of what's ugly and wrong with the world, which is fine as we need to know and see the problems of others and the pain and anguish that perhaps we can do something about , but it is also important to show what is beautiful and right about this planet also, as it makes encourages us to respect it and keep it that way.

Thanks for sharing these, I appreciate it! :)
 

Cem_Usakligil

Well-known member
Hi Maggie,

Many thanks for the encouraging words. I am glad to hear that the first picture indeed conveys calmness. The second one would not get shown if Nicolas did not ask for the arches. On hindsight, it would have been a pity. :)
 

Tom dinning

Registrant*
Hi Maggie,

Many thanks for the encouraging words. I am glad to hear that the first picture indeed conveys calmness. The second one would not get shown if Nicolas did not ask for the arches. On hindsight, it would have been a pity. :)

Can I have a bit more floor, Cem?
Is it a church, Cem? I'm always a bit unnerved by churches.
 

nicolas claris

OPF Co-founder/Administrator
Your wish is my command Nicolas. But you surely do realize that you are asking for the impossible from me? There I was, standing with my back against the wall, my 24mm tilt/shift lens fully shifted upwards, no tripod but handheld, very dark so low shutter speeds, 3 exposures for the tone mapping and a room which is continuously populated with passing people. It was like juggling 5 balls at the same time. Trying to compose the picture correctly in the viewfinder so that no cropping or rotation would be needed, trying not to shake the camera, sweating in the 40degrees centigrade heat and waiting for some 15 minutes before I could get the shot I wanted. And when I finally did achieve that, you come along and ask for a bit more of the arches!!! LoL!
But of course I took another one showing the ceiling as well. Enjoy. :)

f56314.jpg


Ah!
Thank you so much Cem but I asked for "a bit more of the arches" not all!
I certainly do understand the difficulty of doing such an image…
Of course the 1st image is much more full of meanings.
Next time, have a 17 TSE! lol ; )
The last one is also interesting, but just to continue to annoy you ;; ) there still room for a slight more perspective correction…
BTW hav you tried LR5 beta and its new and amazing perspective tool?
 

Cem_Usakligil

Well-known member
Ah!
Thank you so much Cem but I asked for "a bit more of the arches" not all!
I certainly do understand the difficulty of doing such an image…
Of course the 1st image is much more full of meanings.
Next time, have a 17 TSE! lol ; )
The last one is also interesting, but just to continue to annoy you ;; ) there still room for a slight more perspective correction…
BTW hav you tried LR5 beta and its new and amazing perspective tool?
Monsieur Claris, I hereby declare you to be a slave driver, lol.
Telling me such things is like waving a cloth to a bull. Who needs a 17 mm TSE when one can stitch? Here is a combination of the 1st and the 2nd images.

PS: I have not yet played with LR5. The perspective tools in DxO and C1 work much better anyway. ;).



f56299-f56314.jpg

 

nicolas claris

OPF Co-founder/Administrator
Monsieur Claris, I hereby declare you to be a slave driver, lol.
Telling me such things is like waving a cloth to a bull. Who needs a 17 mm TSE when one can stitch? Here is a combination of the 1st and the 2nd images.

PS: I have not yet played with LR5. The perspective tools in DxO and C1 work much better anyway. ;).



f56299-f56314.jpg


Thank you Mister Usakligil!
Why one needs to stitch wen one could shoot larger from scratch? ;)
 

Michael Nagel

Well-known member
Cem,

these are all fine, althoug I have to admit that I prefer those ith floor.
The one with the pillars sticks out - there is more depth to it (for me) than in the others.

Carry on please...

Best regards,
Michael
 

Cem_Usakligil

Well-known member
Cem,

these are all fine, althoug I have to admit that I prefer those ith floor.
The one with the pillars sticks out - there is more depth to it (for me) than in the others.

Carry on please...

Best regards,
Michael
Good to hear from you Michael, thanks for the kind comments.
The one with the pillars is almost 3D like, even if I say so myself. It reminds me of MC Escher's drawings.
 

Asher Kelman

OPF Owner/Editor-in-Chief
Here is a final one showing the ceiling.



f56268.jpg




Cem,

Not many would being us this, as the window would have overwhelmed them. Looking beyond obviously spectacular obvious beauty, one can sometimes find so much more. Good job!

Look at the detail of the brickwork providing reinforcing structure to the roof.

Asher
 

Cem_Usakligil

Well-known member
Cem,

Not many would being us this, as the window would have overwhelmed them. Looking beyond obviously spectacular obvious beauty, one can sometimes find so much more. Good job!

Look at the detail of the brickwork providing reinforcing structure to the roof.

Asher
Thanks Asher. The ceiling was rather difficult to miss actually. But I agree with you, looking all around is a good habit for photographers.
 
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