• Please use real names.

    Greetings to all who have registered to OPF and those guests taking a look around. Please use real names. Registrations with fictitious names will not be processed. REAL NAMES ONLY will be processed

    Firstname Lastname

    Register

    We are a courteous and supportive community. No need to hide behind an alia. If you have a genuine need for privacy/secrecy then let me know!
  • Welcome to the new site. Here's a thread about the update where you can post your feedback, ask questions or spot those nasty bugs!

The Artist at Work

Mike Spinak

pro member
For the last few years, I've been doing a big personal project of photographing my dear friend's daughter, I.
I discuss this more, here:

http://www.openphotographyforums.com/forums/showthread.php?t=3465

This is another portrait of I., taken when she was about two. She was fingerpainting on a glass wall, and I saw the opportunity to get a picture of her fingerpainting from in front, so I went outside to take this shot. Bright reflections were everywhere, and I had to block the reflections with the shadow of my own body close to the glass, and compose the picture within the area where my shadow fell. This made it a bit awkward and difficult.

She was changing the painting on the glass constantly and rapidly, while I looked for the right opportunity. I appreciated the classic child's intensity of her focus on on her activity, and wanted to show it. I wanted to make the photo into a reflection of her inner state, lost in her own world of creative thought, and so I wanted to do this by showing her as seemingly an abstracted form within a modern painting. To do this, I wanted a balance of the foreground fingerpainting and her in the background which showed her form in a sufficiently recognizable way, but made her into somewhat of a clouded abstraction. Hmmm... It's difficult to articulate what I'm trying to say, but hopefully the picture speaks for itself.

Here's what I got. I hope you enjoy it.

274431497_ebee5ddc68_o.jpg
 

Asher Kelman

OPF Owner/Editor-in-Chief
Mike, what do I say except thanks for tracing these these personal honest moments into a form that we can enjoy far away, all around the world as if she was painting, right now, behind a glass wall.


Asher
 
The color is so energizing!

Also, the obfuscation you attempted was achieved, in my opinion, and to good effect. It made me look longer and harder. Ultimately I was rewarded with the reality of the situation.

I wondered about the setup and then read your explanation. Nice project.
 
Top