Doug Kerr
Well-known member
At two ports of call on our cruise to Hawaii (Lahaina, Maui and Kailua-Kona, Hawai'i) the ship anchors out in the harbor and the travelers go to shore and back on tenders. These are actually fancy variants on the ship's lifeboats (and in fact they are used in that role as well, when necessary).
When we had arrived at Lahaina, I went out on the lifeboat deck to watch the launching of the tenders. Two on "our" side of the ship (port) were still being prepared, so I went over the the starboard side to see what was happening there.
When I got to the starboard side stations, I saw that the two tenders from there were already on their way, with their suspension cables hanging forlornly.
I grabbed a shot (leaning over the rail as far as I dared) just so I could look at the arrangement. But when I looked at the shot, I found it to be strangely attractive as (dare I say it) art.
I never gave any thought at first to "leveling" the shot to the horizon, but then I thought, well, I should see how it is that way. I didn't like it at all. So we see the image here essentially as taken (only some tone curve work being done to get what I thought was a nice visibility of the still-dark deck area).
Canon EOS 40D, Sigma 18-200 mm f/3.5-6.3 at 21 mm, ISO 400, f/13, 1/320 sec.
Full frame, downsampled to 23% of original resolution and sharpened.
When we had arrived at Lahaina, I went out on the lifeboat deck to watch the launching of the tenders. Two on "our" side of the ship (port) were still being prepared, so I went over the the starboard side to see what was happening there.
When I got to the starboard side stations, I saw that the two tenders from there were already on their way, with their suspension cables hanging forlornly.
I grabbed a shot (leaning over the rail as far as I dared) just so I could look at the arrangement. But when I looked at the shot, I found it to be strangely attractive as (dare I say it) art.
I never gave any thought at first to "leveling" the shot to the horizon, but then I thought, well, I should see how it is that way. I didn't like it at all. So we see the image here essentially as taken (only some tone curve work being done to get what I thought was a nice visibility of the still-dark deck area).

Canon EOS 40D, Sigma 18-200 mm f/3.5-6.3 at 21 mm, ISO 400, f/13, 1/320 sec.
Full frame, downsampled to 23% of original resolution and sharpened.