leonardobarreto.com
pro member
I got a Hasselblad -it is waiting for me in my NY apartment and I will get it in July since I live in Bolivia (long story)--
It is a 500 C/M that I want because I never could and now I can, (instead of the Alfa-Romeo GT Veloce that I want and will never have) and, very importantly, to use it in the "unplugged" way. Probably similar to having an electric guitar (Nikon D300 PhaseOne P25) and this, an acoustic guitar.
The question is: if you where going to shoot film for scanning. Do you use transparency or negative.
I know that in film times we used to shoot transparency for pro. work, but now, with so few labs available I would probably incline for cPrint negs. that could be scanned or printed...
By the way, what lens do you think this is on the moon? a 50mm f4 Distagon?
It is a 500 C/M that I want because I never could and now I can, (instead of the Alfa-Romeo GT Veloce that I want and will never have) and, very importantly, to use it in the "unplugged" way. Probably similar to having an electric guitar (Nikon D300 PhaseOne P25) and this, an acoustic guitar.
The question is: if you where going to shoot film for scanning. Do you use transparency or negative.
I know that in film times we used to shoot transparency for pro. work, but now, with so few labs available I would probably incline for cPrint negs. that could be scanned or printed...
By the way, what lens do you think this is on the moon? a 50mm f4 Distagon?