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Shall I bore you again? Nicaragua 2013/14

Robert Watcher

Well-known member
TODAY IT WAS PEOPLE - WITH A STORY

I was walking through the streets of a rural Nicaraguan town today.

On one muddy street, this young girl road up on her bicycle and I started talking to her. I pulled out my camera and took a photo of her after she agreed when I pointed my camera towards her.

It was near noon and the sun streaming through the trees was quite harsh - with her head in shadow and her body blown out - but the expression was nice and I had my shot. Still down the street a little bit, I found a large dark patch under a tree where there was a bit more shade. I asked if she would come there and I retook the shots.

After talking the pictures, I asked what was in the plastic bag hanging from the handles. She told me tortillas at 1 Cordoba each. I reached into the bag and pulled out two fresh and hot tortillas - and handed for the 3 1/2 cords change that I had in my pocket - insisting that she keep it all.



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Image #42 - © 2013 Robert Watcher


Coming up to a corner I couldn't help but see this little fellow sweeping the sidewalk in front of his house. Unfortunately, by the time I pulled my camera out of my bag, the moment I envisioned was missed - and he noticed me.

This is the first time that I have received a negative response. Obviously I scared him and after I got off this one shot, he turned away and started crying loudly. His mother came running out of the house and cuddled him - obviously confused and wondering what was going on.

I apologized in Spanish and then tried to make up by talking to the older boy and girl who were peeking around the corner of the door - attempting to make friends with them. The mother relaxed and I left in good stead.



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Image #43 - © 2013 Robert Watcher


There was a horse on the other side of the street and these 2 were watching it. I walked right up to them, smiled and started shooting. They simply turned away and carried on with what they were interested in.

Almost too hard to believe that they could just ignore me that way. My perfect subjects. A woman came walking down the street toward where the girls were standing, and so I asked if she was the mother of the girls. She was and I told her how beautiful they were. She returned a beautiful smile and thanks.



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Image #44 - © 2013 Robert Watcher


Outside a bakery where they bake some of the best Picos in a wood fired brick oven - sat the two men that collect the money once you have made your choices inside.

I just loved the symmetry of their seated position, the store doors, and the fortune of having a bike perfectly positioned in front (the sandals off is pretty cool as well). The biggest issue was all of the people walking in and out which made it difficult to get a clear view.

I managed 2 shots, but was sure that one or both men were looking at my camera. I waited a while and took two more. After getting home, it turns out that the men were in their own world and not paying attention to me in any of the 4 shots that I took of them.



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Image #45 - © 2013 Robert Watcher
 

Asher Kelman

OPF Owner/Editor-in-Chief
Robert,

Your images seem to be loading v. slowly this morning or not at all! Is your server with you in Nicaragua?

Asher
 

Asher Kelman

OPF Owner/Editor-in-Chief
Plain Wierd

Regularly I pass this huge 12 to 15 foot high painting on the side of an old factory wall. It's just kind of strange and being that it is on a shaded side of the street, has been kind of drab looking to bother taking a photograph of.

As I passed by on this morning, the strong sun cast shadows of the electric power lines, that kind of broke up the plainness of the wall. It adds some confusion as well that I like.




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Image #41 - © 2013 Robert Watcher





- - - - for context and perspective:

The only shot that I have to show how the wall relates in size to people and the relative size of the painting on the wall is this one. The white splotch on the right side (with the black arrow) is the painting. You can imagine the size of the wall by comparing the woman with the umbrella who is walking by the corner of the building.




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Robert,

The first one certainly is interesting but not demanding of my sticking around. What got my attention is the kid looking back. That has a delightful pulsating energy of childhood exploration and comradeship. Nothing can compete with that!

A collection of such pictures in color, or better perhaps in B&W, would make a magnificent exhibition!

Asher
 

Robert Watcher

Well-known member
Robert,

Your images seem to be loading v. slowly this morning or not at all! Is your server with you in Nicaragua?

Asher


Sorry - - - my server is under a DDOS attack from another hosting account in the same block of IP addresses. We are working at resolving it as quickly as possible. Until then my embedded images will not show or at times may show slowly.
 

Robert Watcher

Well-known member
Robert,

The first one certainly is interesting but not demanding of my sticking around. What got my attention is the kid looking back. That has a delightful pulsating energy of childhood exploration and comradeship. Nothing can compete with that!

A collection of such pictures in color, or better perhaps in B&W, would make a magnificent exhibition!

Asher

I agree totally Asher. It was just a photo of a painting of interest and weirdness on a large expanse of wall - more documentary than compelling.

When I looked for a supporting image for perspective, I found only the one that I posted. When I saw it I too loved the way the boy was looking back. While I used it here, I do plan on reprocessing it with the intention of using it as a final image, once I get around to processing all of the images from that day. I am so behind in getting my shots completed and up onto my website.


Thank you.
 

Robert Watcher

Well-known member
VOLCANIC ERUPTION IN THE SOUTH OF THE CITY

At least it had everyone looking. Turns out that it was a massive fire at the garbage bump up in the mountains a couple of miles out of the city. There are no volcanos there.



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Image #46 - © 2013 Robert Watcher
 

Robert Watcher

Well-known member
I'M GETTING A HANKERING FOR THIS TYPE OF SHOT

I'm starting to look for and build a collection of walls that work well in square format - - - while I wait for humans, animals, or anything else - - - to move into a centred position at the base of the image.

I was shooting this wall this morning with my E-PL3 and 14-42 kit lens. I noticed in the corner of my eye, a bicycle that would pass by. In anticipation, I pressed the trigger as it moved into position - and I got my image:


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Image #47 - © 2013 Robert Watcher
 

Asher Kelman

OPF Owner/Editor-in-Chief
I'M GETTING A HANKERING FOR THIS TYPE OF SHOT

I'm starting to look for and build a collection of walls that work well in square format - - - while I wait for humans, animals, or anything else - - - to move into a centred position at the base of the image.

I was shooting this wall this morning with my E-PL3 and 14-42 kit lens. I noticed in the corner of my eye, a bicycle that would pass by. In anticipation, I pressed the trigger as it moved into position - and I got my image:


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Image #47 - © 2013 Robert Watcher


Bob,

You did well here. I like the two "folk" in the cartoon poster and then two more on the bicycle. Fun and enjoyable!

Asher
 

Robert Watcher

Well-known member
A Nica Story


YES - MILK COMES FROM COWS

But then there is the distribution. On the one end of the spectrum, the supermarket sells cartons of processed milk - and on the other end, it is common to see a farmer wandering through the streets of the city on his horse, with a 5 gallon plastic pail - strapped to his saddle - one on each side. He stops when people enquire and ladles out the quantity requested.

Then there is the more refined milk vendor, who offers fresh milk while riding his bicycle fitted with a cart containing bright metal traditional milk containers. Question is - is he the farmer? If not - where does he get his milk from?

WELL - it couldn't have been scripted better for me as I walked to my side door this morning at 7:30 AM and noticed the milk vendor biking up the hill of our street. I watched with interest - and then directly in front of my door - - - he stopped.

Within seconds a motorcycle packing 4 large dirty plastic containers that reminded me of gas cans - 2 strapped to each side - - - approached from the opposite direction. He hopped off of his motorcycle, exposing his legs heavily coated with mud from being with the cows in the field.



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Image #49 - The Vendor © 2013 Robert Watcher


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Image #50 - The Farmer © 2013 Robert Watcher


The two chatted for a bit and then went through the procedure of first emptying each of the containers of "freshly squeezed milk" - into the vendors containers. First through a colander that the vendor held over a red pail - - - and then filtered again as the contents of the red pail were poured into the metal milk pails.


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Image #51 © 2013 Robert Watcher


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Image #52 © 2013 Robert Watcher



Then the money transaction took place. We have noticed before that Nicaraguans are meticulous bookkeepers. That was the case with this farmer as well. He opened his notebook and wrote down the calculations of his delivered product and price the vendor was to pay for that. Then the agreed amount of money was handed over. Once done each went off to fulfill the rest of their day.


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Image #53 © 2013 Robert Watcher


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Image #54 © 2013 Robert Watcher
 

Robert Watcher

Well-known member
JuanMarcos Bow Tie Company

This week, I did a shoot for a small tie manufacturing company, who wanted shots with a feel for Central America - shot and processed in the style that identified my photographic work in Nicaragua.

Late in the day, we headed up the steep stairs, to the dangerous back roof area of the massive cathedral in the centre of the city. I was shooting with my minuscule Olympus Pen (E-PL3) - with 2 kit lenses ranging from 28-300mm equivalent - as well as a manual focus Minolta 50mm f1.7 (becomes a 90mm f1.7).

The model was balanced on the large domes roof areas with a view of some of the volcanos in the background. For a series of shots, I set up my lighting using a balance of natural light as well as a powerful portable strobe that was triggered by radio remote.


This shoot included some close up shots of the ties as well as one of the models wearing the most popular bow tie. Future models will be photographed in different parts of the city. All processing was done in Lightroom 5.2.



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Image #58 - © 2013 Robert Watcher

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Image #59 - © 2013 Robert Watcher

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Image #60 - © 2013 Robert Watcher

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Image #61 - © 2013 Robert Watcher

A fellow that was on the roof helping, took this shot of me working on the setup for the final image in the above set. It was nice that he emailed it to me.


robshooting2.jpg

 

Robert Watcher

Well-known member
BREAKDOWN AND REPAIR

The extreme heat and grueling walking for blocks and miles on end - on rough dirt and stone roads . . .

. . . takes its tole on feet and shoes.

It has been a trial and error experience, trying to figure out what shoes will last and will work best at easing the discomfort on this old man (me). Anne and I thought that we had it figured out from last years experience - and so we both purchased shoes that appeared to be sufficient to get us through most of our 8 month stay in Nicaragua this year.

Well - my main pair of walking shoes ($130 Arnold Palmer brand) lasted about a month and a half before I noticed that the heal had worn badly and was starting to break through. Every day after the wear accelerated. I had to either purchase another pair - - - or try one of the - what look to be inadequately equipped shoe repair stands outside the market buildings.

I approached one this past Friday, and asked the price. His response was 250 codas ($10 USD) - and I said that I would return with them another day. He insisted "rapido" and so I pulled off my shoes and sat on a closeby store step in my socks, as he started working on them.

Tugging and reefing with pliers, he managed to separate the ruined soles from the leather uppers. He showed me that not only were the heals worn through - but also that they were broken under the pad area of my feet.

When both soles were removed, he held out his hand for money. I thought he wanted to be paid before proceeding - and so pulled out the 250 cords - - - but he would only take 100 of them. He disappeared and came back 10 minutes later with new perfectly matched size 11 soles of the same sort that had been removed. Then he went at stitching them on with a simple awl and roll of cord.

He insisted that these new soles were "duro" tough and would last for one year. We'll see if that is so - - - but it is awful nice to have a working pair of shoes again and to have that without forking out another $100 plus for a new set that may only last me another 2 months.




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Image #62 - © 2013 Robert Watcher

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Image #63 - © 2013 Robert Watcher

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Image #64 - © 2013 Robert Watcher

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Image #65 - © 2013 Robert Watcher

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Image #66 - © 2013 Robert Watcher
 

Robert Watcher

Well-known member
VIEW FROM OUR HOUSE WINDOW

Clear in the distance is the top of San Cristobal Volcano.

Last year there was an eruption while we were living in Leon - sending ash into the sky for weeks. Very seldom were we able to get an unhindered look with the cloud of dust around the top. Over the last 2 months that we have been here, it has been a clear view for the most part.

This was taken with a 300mm lens from our window shooting down the street through buildings and cables - across the city of Leon to the north.



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Image #67 - © 2013 Robert Watcher
 

Asher Kelman

OPF Owner/Editor-in-Chief
JuanMarcos Bow Tie Company

Late in the day, we headed up the steep stairs, to the dangerous back roof area of the massive cathedral in the centre of the city. I was shooting with my minuscule Olympus Pen (E-PL3) - with 2 kit lenses ranging from 28-300mm equivalent - as well as a manual focus Minolta 50mm f1.7 (becomes a 90mm f1.7).

The model was balanced on the large domes roof areas with a view of some of the volcanos in the background. For a series of shots, I set up my lighting using a balance of natural light as well as a powerful portable strobe that was triggered by radio remote.





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Image #61 - © 2013 Robert Watcher



Rob,

The shot is simply beautifully conceived and executed. Still, that pose on a very high roof edge, with no safety net, looks very dangerous to me! I am amazed how some kids dangle over the edges of roofs and high walls as if they were just sitting on a park bench! They are so vulnerable to hazard and mischief. So do they get an adrenaline rush or just are casual and have no concept of real danger?

My personal problem in photography is that I myself, even though fearful of heights, totally get absorbed in the process of composing that I forget where I am and several times I nearly went over a cliff or balcony ridge.

Asher
 

Robert Watcher

Well-known member
STREET PORTRAITS



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Image #68 - © 2013 Robert Watcher



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Image #69 - © 2013 Robert Watcher



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Image #70 - © 2013 Robert Watcher

 

Robert Watcher

Well-known member
KIDS INTHE PARK

I traveled to the small city of La Paz Centro, to deliver prints of the fellow laying back on his bicycle ("Any excuse is good"), the two sisters with the older one holding the younger, as well as a couple of guys in front of a bakery with a bicycle on the curb.

Heading back to the park to catch the bus - there were a group of young children who were already posing for some tourists - - - smiling nicely and sitting properly. The tourists excitedly showed the photos on the back of their camera. Typical of snaps of children where they were shooting down on them.

After the tourists left, I asked the children to take a picture. But I had to untrain them as they sat back on the bench, sitting perfectly beside each other, staring into the camera with a big smile. This is the biggest problem faced with feeling the need to approach someone "first" to ask their permission to take their photograph.

Anyway - while I did not manipulate to the extreme, I got the kids to spread out from each other and cross the feet and legs and found times when they were ignoring me to snap the photos.



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Image #71 - © 2013 Robert Watcher



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Image #72 - © 2013 Robert Watcher



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Image #73 - © 2013 Robert Watcher



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Image #74 - © 2013 Robert Watcher


 

Robert Watcher

Well-known member
SHOOTING THE SHOOTER

I had a clear view to take a full length unobstructed photograph of a tourist capturing swimmers and sunbathers at the beach - but found that a little uninteresting - - - so instead chose to look for foreground in the area where I was sitting, that would provide more of an "intruded moment" capture. Kind of a sneaky Olympus photographer catching a sneaky (he kept turning his camera away or down when the people he photographed, noticed him) Canon photographer in action.



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Image #76 - © 2013 Robert Watcher
 

Robert Watcher

Well-known member
TODAY'S CHILDREN - 2 KINDS OF POOR

I headed out to an nearby mountain, where ruins of the infamous "del Fortin" military post and location of brutality and torture for dissidents and prisoners during the Somosa reign - - - overlooks the city of Leon.

Nearby the fort is a huge garbage dump where homes and families reside on top of the trash. The road leading up the hill, is lined with shanty houses made from sticks for corner posts and plastic, cardboard or wood pallets for the covering.

In many of the tourist guides, it is recommended to be very careful travelling this road as it is common to be stopped and robbed along the way - so they mention not bringing cameras or valuables with you. There appeared to be no threat of that today.

After visiting del Fortin and getting my shots, I noticed certain impressive volcanic backdrops to the city on the way down the hill. At one point I stopped to take a unique view of Leon and 3 children started screaming from their home behind me. The word I recognized was "foto". After getting my shot, I turned to the children - pointed my camera - and started firing away. They gave me a different smiling pose for each of the 5 frames that I took. (The top shot - #77)

This evening while Anne and I were walking from the Centre to our home, this boy was standing in his doorway. I told Anne not to move so that I could change to my long lens and fire from behind her. I didn't want to disturb his attention and end up with a contrived pose. Equally poor, but slightly nicer home in a better neighbourhood. (Bottom shot - #79)



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Image #77 - © 2013 Robert Watcher


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Image #78 - © 2013 Robert Watcher



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Image #79 - © 2013 Robert Watcher

 

Robert Watcher

Well-known member
MARIBIOS VOLCANO CHAIN


To complete an upcoming story for our journal showing and describing the 5 volcanic ridges stretching in a straight line from Managua to the Pacific Coast - - - I headed up the somewhat dangerous road that leads to the garbage dump and infamous El Fortín de Acososco (used by the Somoza government to detain and torture prisoners).

Fortin stands on top of a high ridge to the south of the city of Leon (where we are living) - providing a stunning vista that goes for miles in all directions. I wasn't expecting to have such a great unobstructed view of all five protrusions - but there it was before me, with the whole city of Leon in the foreground.

After taking individual shots (some framed through the gun holes of the fort) - I thought I would take a series of the whole sweep and hope that it may be useful later on. One of the biggest problems was the haze and overcast - but in hindsight, the cloud formations are more interesting than a plain sky.

I didn't want the volcanos to sink into the background, and so I chose a focal length of 66mm (125mm in 35mm equivalent) on my 40-150 Olympus zoom lens. It took 20 frames to go from Vulcan Momtombo on the right (city of Managua) to Vulcan San Cristobal on the left (city of Chinendega).

I leaned against one of the concrete outlooks and swivelled my camera steady as I could by keeping the horizon roughly the same place in my viewfinder. Some shots ended up slightly rotated and a few did not have lots of overlap

As a result, Photoshop would not handle turning the set of images into a Panorama for me. After 3 tries with no success, I just went ahead and created the Pano by hand - aligning each layer manual and adjusting the exposure and contrast to look the same as the frame beside it.

Then - the question was how to display it for people to view! A pano this wide is all but useless in a 720 or 960 pixel width. I saved it to 900 pixel height by 9,824 pixel width in order to see the details and look into the city - - - and then uploaded to www.dermander.com in order to share.

It is far from a perfect panorama, but I used the less-than-ideal time when I had the opportunity, made use of the camera and lens that I had with me, and processed using the only software on my computer that would allow me to work with layers. It is fine for my needs and gives others a nice sense of the area that I am living in, I think..


http://www.dermandar.com/p/dvjhpM/maribios-volcano-chain-nicaragua

 

Asher Kelman

OPF Owner/Editor-in-Chief


Robert,

What a splendid and interesting view. Fortunate to have such a clear day.

You can post here at 1200 or even 1400 pixels wide and folk can scroll.

In the dermandar site, I couldn't figure out how to zoom in. I'd love to know what the smoke was coming from and the nature of the exactly rectangular pools. Is that for fish-farming?

BTW, if you send the images to me I can stitch them for you in Autopano Giga, full size.

Asher
 

Robert Watcher

Well-known member
Robert,

What a splendid and interesting view. Fortunate to have such a clear day.

You can post here at 1200 or even 1400 pixels wide and folk can scroll.

In the dermandar site, I couldn't figure out how to zoom in. I'd love to know what the smoke was coming from and the nature of the exactly rectangular pools. Is that for fish-farming?

BTW, if you send the images to me I can stitch them for you in Autopano Giga, full size.

Asher

Thank you Asher

A 1400 pixel wide file of my pano, would only be 128 pixels in height - so still very useless.

You can't zoom in on my Pano on the dermander website because I have uploaded a file that is 900 pixels height. That height fits decently onto many screens, and that size a file is still quite large at 2 1/2 MB - - - making downloading to start viewing it much slower if I were to use a larger file size for zooming.

The smoke is just a part of everyday life where people are burning trash. The large rectangular pools are the water treatment tanks for the sewage from the city of Leon.

I would love to see what Autpano Giga can do with stitching the files. The 18 files resaved to a full size good quality JPEG, are 54MB in total. I am uploading them to my site and will provide you with the access by PM. Thanks.
 

Asher Kelman

OPF Owner/Editor-in-Chief
Send them as 16 bit tiff Adobe RGB (1985) or else as jogs, you'll have thrown out 99% of that beautiful image. You want it to be 16 BIT RGB for a great print!

Asher
 

Asher Kelman

OPF Owner/Editor-in-Chief
Send them as 16 bit tiff Adobe RGB (1985) or else as jogs, you'll have thrown out 99% of that beautiful image. You want it to be 16 BIT RGB for a great print!

Asher
 

Robert Watcher

Well-known member
EL FORTIN DE ACOSOSCO

The Guardia Nacional’s last holdout in León, the now decrepit fortress El Fortin is next to a smelly garbage dump. The large flat gray building, was built in 1889 to take advantage of the wonderful views of the city of Leon. It was abandoned until the 1950s, when the Somozas realized that they needed to keep an eye on León itself. They lost the fort to the Sandinistas in 1979. The fortress is reknown for it's sadistic torture of prisoners and dissidents.



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Child's Playground : Image #81 - © 2013 Robert Watcher



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Desolate Welcome : Image #82 - © 2013 Robert Watcher



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Beauty Amid Terror : Image #83 - © 2013 Robert Watcher

 
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