Peter Fitzpatrick
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Thanks for looking
Last edited by a moderator:
Thanks for looking
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Dwayne Oakes Evening Fade
One again, Dwayne,
A delicate representation of the dear in its habitat. The detail in the grass and trees is lit just right for it to have significance but not shout at us or take away from the deer itself, camouflaged in the background. This balance has a sensitivity which gives us a tranquil mood. Still, as the deer is visible to us, it has a sense of vulnerability. It's this which adds a dimension of empathy from us as we too are vulnerable.
Just one tiny niggle. Perhaps the edge of the antlers is a little sharp. One approach is to do the sharpening on a separate layer and then soften the edge with a 20% black brush until it is just still sharp enough but no longer calls attention to itself.
Bart,
Thanks for your eagle eye in picking up that I deal with one image at a time; UGGH!! Part of this comes from my selection of a limited number of images from large weekly performance shoots, but then that leaves a thousands of images in my library that will have to be worked on down the road for publication in print or on the web if they are picked by the staff. Certainly, for studio work, where all the images have to be prepared, your method makes sense.
I do fade the sharpened layer in Luminosity but your approach is more rational in that it's automatic and applies to thousands of images. Do you have a set of actions according to the size of image output?