• Please use real names.

    Greetings to all who have registered to OPF and those guests taking a look around. Please use real names. Registrations with fictitious names will not be processed. REAL NAMES ONLY will be processed

    Firstname Lastname

    Register

    We are a courteous and supportive community. No need to hide behind an alia. If you have a genuine need for privacy/secrecy then let me know!
  • Welcome to the new site. Here's a thread about the update where you can post your feedback, ask questions or spot those nasty bugs!

More Fall Color

Rachel Foster

New member
I was inspired by Janet's End of Autumn shots. We seem to be drawn to many similar types of image. These were my attempts this past Fall.

ISO 125, f/5.6, 1/2000

smallautumnleaves2.jpg

Rachel Ann Foster: Autumn Leaves

ISO 125, f/5/6, 1/1000

smallautleaves.jpg


Rachel Ann Foster: Autumn Leaves 2


ISO 5000, f/4.0, 1/640

smallautumnleaves1.jpg


Rachel Ann Foster: Autumn Leaves Still Life
 

Asher Kelman

OPF Owner/Editor-in-Chief
I was inspired by Janet's End of Autumn shots. We seem to be drawn to many similar types of image. These were my attempts this past Fall.


smallautumnleaves1.jpg


Rachel Ann Foster: Autumn Leaves Still Life

Hi Rachel,

It's great the Janet is influencing you. she has a great effect on all of us!

Your three pictures each use the same construction arrangement of the object of interest intruding into the frame from one side and then leaving most of the rest of the space to the empty space, in the first images, blue sky, in the third, mostly darkness. When you do that, we have to invest effort into discerning and weighing the proportions and form of that pattern. In the first two cases, it appears to be rather random and to me, at least. is not that unique nor impressive.

This last picture, however, like having a pole coming out of the subject's head, perhaps, makes one sit up and pay attention. After all, you could have swung the camera to the left and framed the leaves to sit well in a more ideal position. So you are giving the idea of the leaves penetrating the frame or invading that space or else escaping from it. By any explanation one might give, one is trying to find a reason or cause for the disorder. So this disturbance is what energizes the picture to make it get our attention. Yes the leaves are of course enjoyable but their identity gets subsumed in the turmoil of understanding the nature of the unstable positioning the subject currently holds.

So what do we have? It does not glorify God or ask for our values to be re-calibrated on some social matter. It's not really beauty although it does contain some beautiful elements, the developing droplet of water hanging on the leaf, about to fall on the one below, perhaps. So maybe there's a touch of a narrative of something about to happen or not happen. Maybe the drop of water will be taken by the heat of the sun or the thirst of a humming bird.

Still, there's not much of that and the main element of the picture remains it's disorder which disturbs us. That is it's framework and serves as a limited opportunity for the brain to do a few exercise laps on an mental athletic track. Art can do that too.

Asher
 

Rachel Foster

New member
I love the empty space. I use it a great deal. Empty ("negative") space to me means breathing room, space to relax and just "be." Apparently, the viewer is not getting the same. In fact, I go back and forth as to which version I prefer (granted the new one I've just posted is a bit different in orientation):


smallleafframed.jpg
smallautumnleaves1.jpg


Rachel Ann Foster: Autumn Leaf As Still Life
 

Asher Kelman

OPF Owner/Editor-in-Chief
smallautumnleaves1.jpg


Rachel Ann Foster: Autumn Leaves Still Life

Hi Rachel,

Here's just a sketch of what might consider constructing or finding in nature. I've attempted to protray the drops falling to the leaf below. So something is happening. This is not meant to be the idea to use but rather to show that there are things to look for.

smallautumnleaves1_AKconstruct.jpg


Rachel Ann Foster: Autumn Leaves Still Life
Edited with permission to extend concept, AK


I hope you might like this direction to aid in looking for what's already there.

Asher
 

janet Smith

pro member
I was inspired by Janet's End of Autumn shots. We seem to be drawn to many similar types of image. These were my attempts this past Fall.

Hi Rachel

I'm delighted that I've inspired you to get out and shoot Autumn and hope that you enjoyed your attempt, loving what you do is so important, it shows in the resulting shots..... Another key for me is shooting when the light is good, in my house when the light is good everything else stops and photography begins, which leads me to your two first shots.....

The light doesn't look as if it was favourable, the sky looks a little 'muddy' this could probably be improved with levels, but I'm not sure that the composition is strong enough. I always take some time to evaluate a tree (I sometimes get funny looks in the process!) as I wander repeatedly around a tree (I'm becoming a bit of a tree geek!) looking for a good cluster of leaves, or one particular leaf that attracts me, but I can see than you have done this in your final shot, which works much better. I like Asher's edited version which works well, your on the right track Rachel, keep going girl!!!!

Winter shots next, I remember your fabulous ice covered window shot from last year, I'm hoping for a really cold winter!
 
Top