Negativity

[George Holroyd]

I've been revisiting some pictures while getting over a cold. For the two below, I inverted and reversed the images to make a kind of negative. I like both so much that I'm now considering adding these to my series And I. Asher, you told me to step out of my box. Here goes...

Untitled, Paris, 2012

Graffiti, Milan, 2013​

 

[Jerome Marot]

They are very nice, especially the first one.

 

[George Holroyd]

I think the first one will make it into the series. I cannot tie the second one to a particular emotion at the time of capture so, it has no place, despite being pleasing to my eye.

 

[Asher Kelman]

I've been revisiting some pictures while getting over a cold. For the two below, I inverted and reversed the images to make a kind of negative. I like both so much that I'm now considering adding these to my series And I. Asher, you told me to step out of my box. Here goes...

Untitled, Paris, 2012

​

I'm happy to see this. It's a great prototype. Continue and share but don't make drastic selections just yet.

Asher

 

[Asher Kelman]

I've been revisiting some pictures while getting over a cold. For the two below, I inverted and reversed the images to make a kind of negative. I like both so much that I'm now considering adding these to my series And I. Asher, you told me to step out of my box. Here goes...

Untitled, Paris, 2012

Graffiti, Milan, 2013​

The Graffiti picture works well as a contrast to the former image and helps create a firm of reference like the base line in a Jazz work. It's almost an inverse of the first picture in extent of black.

Asher

 

[Asher Kelman]

ZAP to view!