Rachel Foster
New member
I’ve struggled with scenics.  One type of scenic I’m drawn to is sunrise/sunset.  Scenics  are my weakest area, and makes shooting scenics irresistible.  I’ve learned a lot about scenics (and have plenty left to learn) from almost everyone who posts regularly.  But some lessons I associate strongly with particular  members here.   So, here is my most recent attempt to put into practice what I’ve been taught.
From Asher, I’ve learned to shoot wider, and be less narrow in my focus (literally!). From Charles Webster, I’ve learned if it doesn’t add to the image, it doesn’t belong in the image.
ISO 2000, f/6.3, 1/200.
		
		
	
	
		 
	
Rachel Ann Foster "Lighthouse at Sunset"
From Ken Tanaka, I learned that if the scene is not inherently interesting, shooting it during sunrise/sunset won’t save it.
ISO 125, f/8.0, 1/2000
		 
	
Rachel Ann Foster "Lake Michigan Waves"
And from Maris Rusis, I learned that there must be enough light that the scene is not simply a band of orange atop a band of black.
ISO 2000, f/5.6, 1/400
		 
	
Rachel Ann Foster "Factory on Lake Michigan"
And I just like this one!
ISO 125, f/8.0, 1/500
		 
	
Rachel Ann Foster "Lake Michigan in November at Sunset"
So, I have two specific questions. First, am I getting the message? And, second, what makes a great water shot during sunrise/sunset as opposed to the pretty shots anyone with a camera comes away with? Shooting such beauty is almost more challenging than the mundane because it's almost impossible not to capture something lovely.
								From Asher, I’ve learned to shoot wider, and be less narrow in my focus (literally!). From Charles Webster, I’ve learned if it doesn’t add to the image, it doesn’t belong in the image.
ISO 2000, f/6.3, 1/200.
 
	Rachel Ann Foster "Lighthouse at Sunset"
From Ken Tanaka, I learned that if the scene is not inherently interesting, shooting it during sunrise/sunset won’t save it.
ISO 125, f/8.0, 1/2000
 
	Rachel Ann Foster "Lake Michigan Waves"
And from Maris Rusis, I learned that there must be enough light that the scene is not simply a band of orange atop a band of black.
ISO 2000, f/5.6, 1/400
 
	Rachel Ann Foster "Factory on Lake Michigan"
And I just like this one!
ISO 125, f/8.0, 1/500
 
	Rachel Ann Foster "Lake Michigan in November at Sunset"
So, I have two specific questions. First, am I getting the message? And, second, what makes a great water shot during sunrise/sunset as opposed to the pretty shots anyone with a camera comes away with? Shooting such beauty is almost more challenging than the mundane because it's almost impossible not to capture something lovely.
 
					
					
				 
 
		