leonardobarreto.com
pro member
I want to post here because i looked a bit deserted, since my work relates to such places that I could define like this -- I have to be fast because my laundry is sitting downstairs dry and getting cold --: a place that has very definitive indication of human hand, but no human presence.
I started the series in japan in 1993 for about 3 years with a SPEED GRAPHIC and Velvia 4 x 5 transparency film. The work was exhibited in Fujifilm Professional Gallery in Ginza Tokyo and in 123 Watts Gallery in New York as one man shows ... and then I did other things.
Now I want to continue doing the series and want to buy me a new Speed Graphic (the other one that my father gave me literally fell apart and scattered in the wind (or my studio) and probably c-print neg.
I also have a P 25 and made a test with it (I don't want to do the series with the P 25 for the only reason that the back is too expensive and I want to use it just for work.
Any way. this is a link to this firs image...
I started the series in japan in 1993 for about 3 years with a SPEED GRAPHIC and Velvia 4 x 5 transparency film. The work was exhibited in Fujifilm Professional Gallery in Ginza Tokyo and in 123 Watts Gallery in New York as one man shows ... and then I did other things.
Now I want to continue doing the series and want to buy me a new Speed Graphic (the other one that my father gave me literally fell apart and scattered in the wind (or my studio) and probably c-print neg.
I also have a P 25 and made a test with it (I don't want to do the series with the P 25 for the only reason that the back is too expensive and I want to use it just for work.
Any way. this is a link to this firs image...
