Jeremy Jachym
pro member
Bogen/Manfrotto 475B Tripod legs and Bogen/Manfrotto 410 geared head. Sexy beasts.
JJ
JJ
...The tripod becomes easier to lift!!
However, the camera owner might not find this amusing as when my 70-200/2.8
fell off from my D200....
How far did you drop it?
What make and model was it?
How high did it bounce?
What sound did it make?
Did any one else see or hear it bounce?
What sound did they make?
What sound did you make?
Thanks for the compliments Fahim, I'll pas them on to her .Cem, we are still arguing about this. what i had was the lens and parts of the mount on the ground.
of course it was my fault! ( such a heavy lens !)
The G9 pics taken by your daughter illustrate the father's gift.
Take care.
Have done as requestedHI Cem!
Please check out this thread and answer the questions that are asked there!
How far has your camera bounced?
Have done as requested
But I am kind of hesitant for some reason I can't fathom. I have to get back into the mind set of taking pictures like before, a break of 10 weeks from photography is way too long it appears
not that i would ever condone this of course good luck
Hi Nicholas,What a tragic story! On the bright side, you might replace your 40D with the new 50D...
Hi Jan,Glad to hear all worked out OK, definitely is way too long Cem, get out there and just do it..... enjoy!!!!!
Daniel you are absolutely right. My next tripod/head purchase will be in the direction of RRS, a pano head probably.I don't particularly like tripod heads that have a 'pop out' release mechanism, even if they have a safety switch. They can instantly render the camera detached. I prefer the screwing clamp design (arca-swiss?), it takes a conscious effort to unscrew the clamp a few turns before the camera is free of the tripod head.
Yes, very good news indeed. Thanks Kathy, see you around (LOL)Way cool, Cem! Maybe another trip to Paris will be in your future. Glad that insurance covered it too. Good news.
Hi Alain,I just found this thread and I sympathize with the drama Cem went through. Sorry to hear about the problem.
I do want to point out that having 2 camera bodies is really a must if you are serious about photography (read: if you need to take photos and not just want to bring back some snapshots). What happened to Cem may be particularly dramatic (the fall, the pieces spreading in every direction, the noise -- it's all very cinamatographic) but the fact is that most of us do experience some level of malfunction, damage, theft or breakdown in our equipment on a regular basis. Since repairs or replacements and not very practical in the field or abroad (if they are possible at all), having a second body at hand is the simplest and fastest solution to what has to be expected to happen.
Having several bodies also allows one to photograph while the repairs are being done. Some repairs are lengthy. On my P45 they have to be done in Denmark which means 2 weeks at the fastest.
I point that regularly to my students and yet many come to the workshop with only 1 body. Fortunately, there is usually someone who has another compatible camera When one travels alone this is unfortunately not an option.
Hi Alain,
Thanks for your kind thoughts. I agree fully about the need to have two bodies. As I am an amateur photographer, I haven't invested in one yet. But I have an assortment of analog bodies such as a Canon EOS 3 and some Nikons too. I also have the G9 which is a great digicam. But I really missed my DSLR when it was gone. I may actually keep the 40D as a backup if I buy the 5D MkII later.
Cheers,
Hi folks,
It's been almost 10 weeks since I dropped my camera in Paris. The camera has been away for repairs to Canon's Benelux service center for some 8 weeks. Finally, I have received it back last weekend. It has been repaired and I hope that it will be as good as new. They did not repair the battery grip since the cost of repairs was almost equal to the new price. The insurance has paid for almost everything (minus the self risk of Euro 50). Of course there are no compensations for the fact that I had no camera for nine weeks and that I had to cut my visit to Paris short and return by fast train back to home (i.e. extra ticket costs).
Nevertheless, I have the camera now and I can't wait till I can go out to shoot again. But I am kind of hesitant for some reason I can't fathom. I have to get back into the mind set of taking pictures like before, a break of 10 weeks from photography is way too long it appears.
Cheers,
It was my travel insurance which has paid.Cem,
What insurance paid? Was it American Express under their 90 days policy?
Asher