Asher you can dramatize like no other. If I didn't know you, I might have thought that you were a champagne-sipping, artsy-fartsy, exclusive gallery visiting Beverly Hills socialite, lol. Looking forward to seeing some trout photos soon. And not the Kilgore variety.
I see here a series of pictures which show leaves in different compositions, lit by a soft/natural light source. The background remains static whereas the light and the placement of the leaves change. It is as if the photographer is on a journey to discover the most pleasing composition using a very limited subject material, but infinite in variety due to its nature. It makes one think of the seashells of Edward Weston, searching for perfection. We don't need a context of titles for these imo. We may guess at what moves the photographer to create these compositions as such, but it would be just as meaningful as asking Brancusi why he chose to use a certain curve on one of his statues. The rest is left to the looker, one can choose to see certain forms or meanings in these, just like Theodoros has done before. As Fahim wrote, these await for discovery. Thanks for sharing with us.