Robert,
How's your Spanish language ability? I'm wondering since you seem to get to meet workers in their shops, workers in the coffee fields and the like.
Asher
When we started this in 2008 with our first adventure to Costa Rica, we knew no Spanish at all. That did not hinder my ability to make connections and get my images of people at all - even though we were living in an area where no one spoke English. Each time we go to Central America, we pick up more phrases and improve our skill at "sounding Spanish" by mimicking what we hear other say when we are conversing with them.
Before coming this year, we have become quite good at understanding what we are reading in Spanish and we have improved quite a bit in our ability to say words and phrases correctly and put thoughts together with the words we know. We actually feel like we have a big advantage this year over the other years and since being here have been able to comprehend much more from those we are talking to and dealing with. Hopefully by the time we leave in 5 months, we will be freely communicating in Spanish. It would probably be better to take formal Spanish lessons, but we haven't - preferring to just infuse ourselves in the culture and practice in context.
One Canadian man we met last year who is now fluent in Spanish said that if you are good mimic you will do better in many ways, than trying to learn the language just through books and courses. Different countries and even different regions in a country say things differently. We try to be cameleons and adapt quickly to our surroundings. Patience and flexibility are two strengths of ours that I think help us in this Spanish culture.
Also, how does the country fare as far as risks for your all the gear you have to take with you? Is it just insured?
Asher
There are risks. One needs to be street smart. Photography is my business and a main motivation for my being here. So I have to use my gear and put myself in a more vulnerable position by having it in the open when I am walking around - or as in the case of a story of a guitar maker last year - - - going with expensive gear into an area of town that was not really the safest for any foreigner to roam freely.
I take many precautions - such as never exposing my gear around my home. It is never pulled out of my simple shoulder strap (like ones other locals carry on them) until I am a few blocks away, and the same when I return. I have 2 sets of gear - one that is slightly less valuable than the other. When going into an area that I know is a bit more of a risk or is claimed to be dangerous - I take the less valuable one with me. If I were to ever have that stolen, at least it wouldn't wreck my trip and I could keep on shooting for the rest of my stay. I know that I stick out like a sore thumb and so always walk with a purpose. To be fair, this is exactly how I operate when I am in any large city in America or even in Toronto Canada.
I do not have insurance on my gear - - - but that is my personal choice and not a recommendation. I have always had the ability to pay cash for my equipment and so have no obligation to banks or others. I am taking a risk this way - but it is a calculated risk based on my abilities to replace any loss I might have - as well as the fact that I am not one who finds the need to use the most expensive gear. Any loss would be one body and one lens as I only take what I need with me at any one time.
What choices do you mane for camera, lenses and backup
Asher
I am an Olympus shooter. I love light and compact gear and so this year, while I have brought along one DSLR body and a 140 to 600mm equivalent lens for it - - - I will primarily be shooting with the newer Micro 4/3 mirrorless cameras. As a result, my backpack camera bag is much lighter. The 2 mirrorless camera setups that I will be depending on for both my images and video shooting are my Olympus E-PL1 and E-PL3 along with a couple of 14-42 kit lenses and my micro 4/3 40-150 lens (80-300mm equiv.). I do have a 50mm f1.7 manual 35mm Minolta lens on an adaptor, that I may attach from time to time as a fast portrait lens. I also have brought along my radio slaves and a portable flash for a new twist (hopefully to some of the portrait work).
I have 2 separate hard drives for storage of files along with backups. As well I upload all of image to online storage each night. Online storage is difficult to access in my view - - - but at least I know it is there is something goes wrong with my other storage devices.
does your wife shoot too, or just keep you focused!
Asher
My wife does shoot pictures from time to time - but that is not of primary interest to her. She is the chief investigator and motivator behind our trips. She puts together stories that she wants to tell on our Journal and does any research necessary, and then we go shoot any photos that she needs to support her stories. I have stories I want to tell on photography forums and the like - or just images that I want to take as a photographer. Many times those are taken as we are walking around together - and many times I head out on my own to get them.
A preferred method when we are wanting to tell the story of say a craftsmen, is that Anne will act as the journalist and I am the photographer. Anne's great easy going and warm personality creates conversation with the people involved and it also makes it nice that while she is writing down details and keeping them occupied - - - I just have to take the pictures and focus on what I want to get out of the shoot.
EXAMPLES from Nicaragua in 2011:
Guitar Maker -
http://www.asifweknow.com/index.php?pg=1&jdb=nic2011&postnum=59
Ceramic Factory -
http://www.asifweknow.com/index.php?pg=1&jdb=nic2011&postnum=47
Brick Bakery -
http://www.asifweknow.com/index.php?pg=1&jdb=nic2011&postnum=34
So we kind of work together (well) but with separate agendas. 36 years of marriage and working together helps make a seamless workflow.
Rob