A Portfolio Series for Your Consideration: An invited Series Peter Fetterman Gallery Choices

[Asher Kelman]

Sabine Weiss1924
Paris, 1950, printed later
Signed, titled, & dated in pencil on print verso
Gelatin Silver Print
Paper 20 x 16 inches; Image 17 7/8 x 13 5/8 inches

​ Dear Friends, This sublime image incorporates everything about Sabine’s process. She possessed immense technical skill and patience, enormous drive and energy and empathy which allowed her to live one of the longest and most productive careers of any post War European photographers. It was an honor to know and to collaborate with her. Her optimism was infectious. For any questions or inquiries please email peter@peterfetterman.com Peace and love, Peter

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I have no commercial interest in these works, merely I wish to share the offerings of one of the finest curators of modern photography. I admire his judgement and can vouch for his integrity. But beyond obtaining consent years ago to do this, I have no relationship to the gallery!

 

[Asher Kelman]

 

[Asher Kelman]

Please enjoy these offerings and feel free to comment!

If you purchase, I will receive no bonus or information!

Asher

 

[Asher Kelman]

Noell Oszvald 1990
Untitled #9, 2013
Signed, dated, titled and numbered in pencil on verso
Gelatin Silver Print
Image 14 x 14", Paper 20 x 16"
Edition 7 of 12

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[Asher Kelman]

I like the way the model recapitulates the simple shape of the distant hills.

Note, however, how her spine is wonderfully detailed and that appears as the anchor or fulcrum of the work!

I am in awe!

I think that Fetterman’s choice is superb!

Asher

 

[Asher Kelman]

Louis Stettner
Windshield, Saratoga Springs, New York, 1957
(Printed 1981)
Signed, Dated and Numbered in pencil on mount recto
Gelatin Silver Print
Image - 12"x18", Mount - 20"x26", Matted - 24"x30"​

 

[Asher Kelman]

I should add to this thread. Thanks, Brook for your encouragement!

Asher