Show us your studio inside, outside, home, or other!

[Will Thompson]

Here is mine.

 

[Doug Kerr]

 

[Jerome Marot]

Now I understand the handrail from the other pictures.

 

[Asher Kelman]

I miss the activity of models being here and getting ready, managing the shoot and even eating lunch together and catching up on news! I work with models for a long time and get to know them pretty well.

Now it’s quieter, but I have focused on shooting sculptures on a turntable and using photoprogrammetry to turn 100 pictures to detailed 3D models.

I even used this on Kirstie, to try to make a figure for a scene in the rape of a college Student visiting Stanford University.


Now it’s quiet here!

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[Asher Kelman]

Here is my indoor studio. The large, (600 watt-second) Godox, Mola light is pulled back for “people shoots“ and one can stand in front of it during shooting and there’s zero shadow.

The angled Mola, (with a 1200 watt second Quad head by Lumedyne when I have to shoot outdoors), that I run at about 100 WS indoors.

The bg roll paper extends to the floor over sheets of 3/4” plywood, or else sharp heels can punch holes in the paper over the carpet!!

Asher

 

[Asher Kelman]

I have a set up of two vertical white boards, folded at 100 degrees to reflect back to the background paper lights attached to the Manfrotto paper-roll support-poles.

Hair light, (without it’s Grid), above light
directed to angled 8’ high reflector to
backlight model and to the bg paper
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The other sides of these reflectors are black, so these appear to be almost continuous with the dimly lit bg. The light also creates a rim for the outline of the model against the bg. In addition there are also hair lights with grids on each pole.

 

[Asher Kelman]

Asher Kelman: Alyssia with Tulips

Fuji GFX 32-63 mm Fuji G
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[Asher Kelman]

Asher Kelman: “Chaperone”
Fuji GFX 32-63 mm Fuji G​

She came to look after her pal. So I had her pose too!

Asher